About "The Realm"

During my summer visit to Japan last year in 2023, I found inspiration to create this painting while exploring a promenade by chance. On a brief trip with my elderly mother, we stayed at a mountainous hot spring ryokan near the promenade. The entrance appeared neglected, causing uncertainty about whether to proceed. However, a simplified map revealed an observation deck on a small hill not too far away. Considering my mother's weak legs, I decided to leave her at the ryokan and embark on a short solo stroll.

As I walked, moments arose when the path was concealed by overgrown bushes, prompting contemplation of turning back. Nonetheless, I pressed on, stumbling upon a small, dilapidated pavilion. According to the map, the observation deck lay further ahead—densely wooded and eerily enticing. I followed the path as if lured by something. Suddenly, the surroundings darkened, and upon turning around, the road that seemed distant before vanished amid dense vegetation. A chill ran down my spine in that space. Realizing I should not proceed, I decided to turn back, eventually returning to the familiar path, and reaching the inn where my mother awaited.

Had I continued that path, I might have truly lost my way. I pondered if this mirrored the phenomenon of "kamikakushi” or being spirited away, a disappearance without a trace, as if hidden by kami or gods, renewing my awe for nature.

Drawing inspiration from this peculiar experience, I created the artwork upon my return to the United States after several prototypes. Hoping to capture the unique energy and aura of that moment, I applied Japanese painting techniques, using ink and paint in abstract patterns. I incorporated impressions and imagination of the landscape, applying meticulous layers of materials like gofun (white pigment from oyster shells), iwaenogu (mineral and earth pigments), and pure gold powder.

The Realm©2024,Fumiyo Yoshikawa, 48x12 inch each, Sumi-ink, mineral /Nihonga pigments, gold on Mashi paper